Birthday Villainy With Elizabeth MacDougald

April 12, 2021
2 mins read

There are some stage roles that stick with you throughout your career. For Elizabeth MacDougald, one of these was the part of the villain Evanna Keil in The Invisible Scarlet O’Neil, by Barbara Lhota, produced by Babes With Blades Theatre Company in 2017 at the Factory Theater.

Playwright Barbara Lhota adapted The Invisible Scarlet O’Neil from the 1940–56 comic strip of the same name, by Russell Stamm. Scarlet O’Neil, among the first superpowered heroines in comic history, could turn invisible by tapping a vein in her wrist. In the play, Evanna Keil is Scarlet’s father’s former lab assistant, who attempts to perfect a mind-controlling red lipstick (which she plans on giving to the KGB), and it’s up to Scarlet to stop her. The production embraced the comic strip aesthetics, creating a background of moving panels with changing images so that the production looked like a comic book in three dimensions. As a comic strip villain, Evanna Keil granted Elizabeth the freedom to play broadly, “mustache-twirl,” and chew the scenery. After an enjoyable run with good audiences and favorable reviews, Elizabeth was sad to retire the character.

Preproduction image of Elizabeth MacDougald as Evanna Keil in 2017

The Return of Evanna Keil

In April 2020, as the pandemic lockdown darkened the world’s stages, theatre companies took to live readings of plays over Zoom, and Elizabeth had her chance to play the dastardly villain once again.

Evanna’s reprisal via Zoom took place around Elizabeth’s birthday last April, so we put together a fun birthday week photo session to commemorate the occasion. We tried a variety of looks and effects. On set, we used red filters and grids on the background; we did some backlighting to create striking silhouettes. In post-processing, we added effects to various images, using some old film effects, replacing backgrounds, and adding textures. All in all, it was a fun, fast session.

Here’s what Elizabeth had to say about playing the character:

“Evanna, on the surface, was your typical comic book villain. But as we dug deeper during rehearsals we found layers and nuances and depth, and of course the perfect evil laugh. The production overall was one of the most unique, imaginative, and creative I have ever been a part of. You try fighting an invisible opponent!  

Like all good villains, Evanna’s final lines promised a return and vengeance on those who had thwarted her plans for world domination. When I was ‘dragged’ offstage on closing night, I was more than a little sad that I was saying goodbye to a wonderful, wicked, scenery-chewing character, and I thought I would never get to see her again…
And then the Pandemic hit. I was THRILLED when I found out that ‘Scarlet’ would be one of the shows we would be remounting. Evanna was returning, and I wanted to do something to promote the stream, and to celebrate. Fortunately, I have a very talented husband to photograph her for me.”

—Elizabeth MacDougald

Curses, Foiled Again!

The Evanna Keil costume and lipstick may have gone back into storage, but there’s no telling when she may strike again. Perhaps sooner than later: Elizabeth is part of most Distant Era sessions, and if she’s not in front of the camera, she’s often behind a light stand or pressing buttons to make our various contraptions work. When does she get a photo shoot? Pretty much whenever she wants one. We’ve done a few birthday sessions for various friends, and they’ve all been special: an opportunity to treat oneself and celebrate who you are, who you’ve been, or who you’d like to be for a day. In this case, a scheming comic strip villain. Happy Birthday, Elizabeth MacDougald!

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Steven Townshend is a fine art/portrait photographer and writer with a background in theatre, written narrative, and award-winning game design. As a young artist, Steven toured the US and Canada performing in Shakespeare companies while journaling their moments on paper and film. In his transition from stage to page, Steven continued to work as a theatre photographer, capturing dramatic scenes while incorporating elements of costume, makeup, and theatrical lighting in his work. Drawn to stories set in other times and places, Steven creates works through which fellow dreamers and time travelers might examine their own humanity or find familiar comfort in the reflections of the people and places of a distant era.

The All Worlds Traveller

Welcome to The All Worlds Traveller, an eclectic collection of thoughts, pictures, and stories from a Distant Era. Illustrated with Distant Era art and photographs, these pages explore the stories and worlds of people beyond the here and now, and the people and creative processes behind such stories. This is a blog about photography and narrative; history and myth; fantasy, science-fiction, and the weird; creation and experience. This is a blog about stories.

Steven Townshend

I’m Steven Townshend—your guide, scribe, editor, and humble narrator. The All Worlds Traveller is my personal publication, an exploratory conversation about stories and how we interact with them, from photographs to narratives to games—a kind of variety show in print. It is a conversation with other artists who explore the past, the future, and the fantastical in their work. Not one world—but all worlds. Where Distant Era shows stories in images, The All Worlds Traveller is all about the words.

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About a Distant Era

Distant Era creates fine art and portrait photographs of people and places from imagined pasts, possible futures, and magical realities. In collaboration with other artists, we evoke these distant eras with theatrical costume and makeup, evocative scenery, and deliberate lighting, and we enhance them with contemporary tools to cast these captured moments in the light of long ago or far away. We long to walk the lion-decorated streets of Babylon, to visit alien worlds aboard an interstellar vessel, and to observe the native dances of elves. Our images are windows to speculative realities and postcards from the past. They are consolation for fellow time travelers who long to look beyond the familiar scenery of the present and gaze upon the people and places of a distant era.

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