Distant Era’s Costumed Photography Posing Workshop One at Gen Con

August 14, 2023
3 mins read

Last week, I talked a little about the very busy week in Indianapolis running the Distant Era workshops at Gen Con. This week, I’m excited to present the featured portraits from the first (of three!) Distant Era Fine Art Costumed Photography and Posing Workshop at Gen Con. 

Workshop Goals

I designed the costumed photography posing workshop to teach posing fundamentals to cosplayers and to provide a studio portrait session where the participants can practice those techniques with a photographer while observing the images live as we photograph them. The workshop is part physical-mechanical in that it breaks down how our bodies and wardrobe make shapes and interact with the camera. It’s also partly an acting workshop. The end goal is to provide each participant with an artistic portrait featuring their cosplay.

It’s easy for me to get a bit in my head before the workshop because there are so many moving parts, so many things that have to work flawlessly, from inventorying and packing the studio equipment to transporting it to the site to setting it up to dialing in the settings to making sure the workshop information is well organized and presented. As with explaining board game rules, I want to cover the information quickly and succinctly so that we can dive in and start trying things. I’m always bracing for one or more elements to fall through. But any anxiety disperses the moment I meet the first participant and start learning about their cosplay.

If I’ve learned anything from photographing cosplay from the Gen Con workshops, it’s how varied the designs can be. I love listening to the participants talk about the costumes they’ve created or assembled and into which they’ve poured their time and passion.

The Cosplays

The first cosplay in workshop one was Technoblade. Technoblade was a YouTuber with (currently) 16.5 million subscribers. That’s approximately 16.5 million more than Distant Era. Technoblade’s icon was an illustrated pig wearing a king’s robe and jeweled crown and holding a sword. Technoblade (in real life) passed away from cancer at the age of twenty-three in June 2022. Our first subject made a Technoblade cosplay in tribute. 

So this is what I mean about what you learn and how fascinating it is to hear these stories. Some cosplays interpret or replicate costumes from popular media franchises, film, comics, or literature. In this workshop, we had Okaara Patty as Marvel Comics’ Misty Knight, dressed just like her character in the comics. 

Some subjects prefer to portray broader character archetypes. For instance, last year we had a couple of elves; Elizabeth sometimes plays a copper dragon. In this workshop we had an awesome ninja. 

Others are new inventions or interpretations created by costume crafters. In this year’s workshop, we had a dress that represented the Nautilus submarine from Jules Verne’s 20,000 Leagues Under the Sea. In the portrait below, note the rivets and viewing port (which lights up). Orchid Nightblossom Cosplay made this costume! Check out her other work on Instagram.

On the nautical theme, we also had a mermaid cosplay worn by a subject who works as an actual professional mermaid! It’s always a joy to hear what people have made or brought and to help realize that vision into a portrait.

The Photographer

In workshop one, we were also joined by a photographer who wanted to observe the process of working with different models so he could improve his own process. I greatly enjoyed shifting the dialogue to discuss why I was making the choices I made. Many of those details weren’t relevant to the posing but were key to the process of running a session. For example, I might ask a subject to move or pose differently depending my choice of lens or light. I enjoyed explaining my choices on either side of the camera.

The MVP

As usual, Elizabeth provided invaluable assistance to these workshops, while wearing her own costumes every day. Every morning as we set up the studio in one of the meeting rooms, Elizabeth helped me test the lights. This is what her costume looked like on day one/workshop one. She’s long loved Disney’s Treasure Planet and the character of Captain Amelia, voiced by Emma Thompson. Based on the amount of feedback and praise she’s received on the convention floor at Origins and Gen Con, it seems that others do too.

Distant Era MVP Elizabeth as Captain Amelia during our early morning light test.

Camaraderie and Gratitude

I’m grateful to the participants of Distant Era’s first 2023 workshop at Gen Con for their brilliant work, their stories, and their camaraderie. It was wonderful to watch them cheer one another on, offer suggestions, and support one another as they took turns in front of the camera.

Workshop one class photo!

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Steven Townshend is a fine art/portrait photographer and writer with a background in theatre, written narrative, and award-winning game design. As a young artist, Steven toured the US and Canada performing in Shakespeare companies while journaling their moments on paper and film. In his transition from stage to page, Steven continued to work as a theatre photographer, capturing dramatic scenes while incorporating elements of costume, makeup, and theatrical lighting in his work. Drawn to stories set in other times and places, Steven creates works through which fellow dreamers and time travelers might examine their own humanity or find familiar comfort in the reflections of the people and places of a distant era.

The All Worlds Traveller

Welcome to The All Worlds Traveller, an eclectic collection of thoughts, pictures, and stories from a Distant Era. Illustrated with Distant Era art and photographs, these pages explore the stories and worlds of people beyond the here and now, and the people and creative processes behind such stories. This is a blog about photography and narrative; history and myth; fantasy, science-fiction, and the weird; creation and experience. This is a blog about stories.

Steven Townshend

I’m Steven Townshend—your guide, scribe, editor, and humble narrator. The All Worlds Traveller is my personal publication, an exploratory conversation about stories and how we interact with them, from photographs to narratives to games—a kind of variety show in print. It is a conversation with other artists who explore the past, the future, and the fantastical in their work. Not one world—but all worlds. Where Distant Era shows stories in images, The All Worlds Traveller is all about the words.

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About a Distant Era

Distant Era creates fine art and portrait photographs of people and places from imagined pasts, possible futures, and magical realities. In collaboration with other artists, we evoke these distant eras with theatrical costume and makeup, evocative scenery, and deliberate lighting, and we enhance them with contemporary tools to cast these captured moments in the light of long ago or far away. We long to walk the lion-decorated streets of Babylon, to visit alien worlds aboard an interstellar vessel, and to observe the native dances of elves. Our images are windows to speculative realities and postcards from the past. They are consolation for fellow time travelers who long to look beyond the familiar scenery of the present and gaze upon the people and places of a distant era.

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