Joshua Safford as Jeremiah Wiggins

January 15, 2024
3 mins read

This week on The All Worlds Traveller, we feature legendary storyteller and magician Joshua Safford in his persona as Jeremiah Wiggins, human ambassador to the faeries.

I first met Jeremiah Wiggins and Joshua Safford in 1994 when we were performers at the Ohio Renaissance Festival. An epic tale follows. Suffice it to say, I could not have known then that I’d move to Chicago three years later and rent a room in Josh’s Rogers Park apartment for the next fourteen years.

Jeremiah Wiggins at the Bristol Renaissance Faire 1999.

Photography

Joshua wanted some new portraits of his character Jeremiah Wiggins. His costume had vastly changed since the last time he had the character formally photographed in studio, and Joshua wanted to show Wiggins as he is today.

In our initial discussion, Joshua and I talked about the character of Jeremiah Wiggins and what we wanted to convey. Joshua described Jeremiah as a character of mysterious whimsy:

The magic of Wiggins is whimsical, but you don’t necessarily trust him. He’s not tricking you per se, but he’s revealing a magical world. He’s a politician for the faeries, which is another reason you might not trust him. He’s leading people on a whimsical, mysterious journey. 

Joshua Safford on the magic of Jeremiah Wiggins

The Cart

Joshua and I had talked about photographing Wiggins’s mushroom cart, which he uses as a traveling magic table and gateway to the faerie world. This kind of image would work to promote Joshua’s act and the props it features. In our discussion, Joshua noted that Jeremiah Wiggins has a roguish and shadowy side, but not necessarily dark. I decided therefore to start the session on a black background large enough to accommodate the cart.

The black background is simple. Black isolates the subject in space and calls attention to the subject. The cart images we made are the most direct. They feature the broadest lighting, showing Jeremiah and his cart just as they are. We cropped the composition square, to fill the frame with the main features of interest—Joshua’s face, mushroom, and signs. We made sure to keep our aperture small enough that all the text could be discerned.

The Magician

One of Joshua’s primary portrait picks came from the black background setup. In this one, Wiggins balances, offers, withdraws, and continues to juggle a crystal orb. In the edit for this portrait, I wanted to emphasize Wiggins the magician, so I gave the orb a shine and the overall portrait a warm haze, as if Wiggins emerges in the dawn from the twilight of Faerie, offering a magical bauble. Joshua went to the Ringling Brothers Clown College; he’s always done magic; the walls of his place where I lived for nearly a decade and a half are covered with old magic posters. I wanted to give him a portrait that hinted at the magical, the fantastical, the unreal.

Joshua Safford, Dexter Tripp, and some of the aforementioned magic posters, 1997.

I lit our next sequence in a portraiture style similar to what I’ve done with other fantastical portraiture—a beauty dish for the main light and a large umbrella filling the shadows. I chose a brown painterly background for this, as it complemented Joshua’s green costume, while its warmer tones coordinated with the costume’s yellow-and-orange butterflies. When we photographed these, we felt we’d hit our look.

Finding the Look

Sometimes I’ll hit a look I’m happy with at the start of the session. But the light and colors used don’t work the same for every subject, and sometimes we have to adjust until we find what works. This isn’t true for passport and driver’s license photos, which use the same flat straight-on look every time, which is one of the many reasons we dislike those. In Joshua’s session, the black background worked for some shots but not for others; the warm background worked ok with our light setup from the black background but worked exceptionally well with restricted light and partly filled shadows. As usual, we shoot until we hit what we’re happy with, experimenting and playing to find what that is. When we nail the shot, that’s how we know we’re done.

It was a privilege and an honor to make these portraits for my old friend and decades-long roommate. I’d like you to seek him out at your local Renaissance festival this season and tell him how awesome he is.

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Steven Townshend is a fine art/portrait photographer and writer with a background in theatre, written narrative, and award-winning game design. As a young artist, Steven toured the US and Canada performing in Shakespeare companies while journaling their moments on paper and film. In his transition from stage to page, Steven continued to work as a theatre photographer, capturing dramatic scenes while incorporating elements of costume, makeup, and theatrical lighting in his work. Drawn to stories set in other times and places, Steven creates works through which fellow dreamers and time travelers might examine their own humanity or find familiar comfort in the reflections of the people and places of a distant era.

The All Worlds Traveller

Welcome to The All Worlds Traveller, an eclectic collection of thoughts, pictures, and stories from a Distant Era. Illustrated with Distant Era art and photographs, these pages explore the stories and worlds of people beyond the here and now, and the people and creative processes behind such stories. This is a blog about photography and narrative; history and myth; fantasy, science-fiction, and the weird; creation and experience. This is a blog about stories.

Steven Townshend

I’m Steven Townshend—your guide, scribe, editor, and humble narrator. The All Worlds Traveller is my personal publication, an exploratory conversation about stories and how we interact with them, from photographs to narratives to games—a kind of variety show in print. It is a conversation with other artists who explore the past, the future, and the fantastical in their work. Not one world—but all worlds. Where Distant Era shows stories in images, The All Worlds Traveller is all about the words.

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About a Distant Era

Distant Era creates fine art and portrait photographs of people and places from imagined pasts, possible futures, and magical realities. In collaboration with other artists, we evoke these distant eras with theatrical costume and makeup, evocative scenery, and deliberate lighting, and we enhance them with contemporary tools to cast these captured moments in the light of long ago or far away. We long to walk the lion-decorated streets of Babylon, to visit alien worlds aboard an interstellar vessel, and to observe the native dances of elves. Our images are windows to speculative realities and postcards from the past. They are consolation for fellow time travelers who long to look beyond the familiar scenery of the present and gaze upon the people and places of a distant era.

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