Red Dress Vampiress Countess and Garrus

October 30, 2023
1 min read

It’s Halloween week, which brings back memories of spooky sessions. This pre-Distant-Era 2018 session yielded some of my favorite pictures I’d done up to that point. I was learning a lot, at the end of my first year experimenting with flash. That 2018 session had a skilled model, Mary-Kate Bullaro, in peak vampiric countess form.

It it also had this guy.

Scene Stealing 101

This guy, aka Garrus the Cat, aka studio assistant number two, aka the scene stealer. He’s the guy who always wants to be the star of the show, stealing scenes right, left, and center. Here’s his stealing-the-scene-from-the-right move.

Scene Stealing Technique: Right.

Like a true pro, he’s slipping in just as the lights are about to pop.

Here he is stealing a scene from the left. Note the clever use of the tail curling up from behind the reflector, as if to say, “Don’t mind me, I’m not really here. But guess what: yeah I am, losers!”

Scene Stealing Technique: Left.

Right and left technique are mere warmups for central scene theft method, which is quite alarming, and which we present here, with due content and trigger warnings for victims of scene theft; a spoiler alert; and an MPAA rating of G.

Scene Stealing Technique: Center.

We got it eventually.

What Scene Stealers Want

Everyone wants to be loved, and scene stealers are no different. Render unto scene stealers that which is the stealer’s. To whit, the scene. And maybe a little scratch under the chin or behind the ears.

The following year, we did another shoot for MK’s Fantasy Is Reality project, in which she played Lady Macbeth. She wore a red dress and carried a dagger. She set down a bowl to prepare for the line “Will these hands never be clean?”

We prep the camera and the lights, and then…

Scene Stealing Advanced Technique: I’m a Cat, and the Models Work for Me Now, Suckers!

If there’s any moral here, it’s…

…I’ve got nothing.

So, rather than a moral, here’s the original 2018 photo we posted way back then.

Happy Halloween, one and all!

AWWWWWWWYYYYEAAAAAAAHHHHH!

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Steven Townshend is a fine art/portrait photographer and writer with a background in theatre, written narrative, and award-winning game design. As a young artist, Steven toured the US and Canada performing in Shakespeare companies while journaling their moments on paper and film. In his transition from stage to page, Steven continued to work as a theatre photographer, capturing dramatic scenes while incorporating elements of costume, makeup, and theatrical lighting in his work. Drawn to stories set in other times and places, Steven creates works through which fellow dreamers and time travelers might examine their own humanity or find familiar comfort in the reflections of the people and places of a distant era.

The All Worlds Traveller

Welcome to The All Worlds Traveller, an eclectic collection of thoughts, pictures, and stories from a Distant Era. Illustrated with Distant Era art and photographs, these pages explore the stories and worlds of people beyond the here and now, and the people and creative processes behind such stories. This is a blog about photography and narrative; history and myth; fantasy, science-fiction, and the weird; creation and experience. This is a blog about stories.

Steven Townshend

I’m Steven Townshend—your guide, scribe, editor, and humble narrator. The All Worlds Traveller is my personal publication, an exploratory conversation about stories and how we interact with them, from photographs to narratives to games—a kind of variety show in print. It is a conversation with other artists who explore the past, the future, and the fantastical in their work. Not one world—but all worlds. Where Distant Era shows stories in images, The All Worlds Traveller is all about the words.

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About a Distant Era

Distant Era creates fine art and portrait photographs of people and places from imagined pasts, possible futures, and magical realities. In collaboration with other artists, we evoke these distant eras with theatrical costume and makeup, evocative scenery, and deliberate lighting, and we enhance them with contemporary tools to cast these captured moments in the light of long ago or far away. We long to walk the lion-decorated streets of Babylon, to visit alien worlds aboard an interstellar vessel, and to observe the native dances of elves. Our images are windows to speculative realities and postcards from the past. They are consolation for fellow time travelers who long to look beyond the familiar scenery of the present and gaze upon the people and places of a distant era.

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