Star Wars Rococo with James Martineau

December 11, 2023
1 min read

For C2E2 (the Chicago Comic and Entertainment Expo) 2023, Gaby and James Martineau hired designer Erin Gallagher to create some uniquely glamorous Star-Wars-Rococo-themed costumes. Shortly after the event, Gaby and James hired Distant Era to make their portraits, wearing those costumes. In this post, we feature James Martineau’s solo portrait from the session!

Super Trooper

James last appeared in The All Worlds Traveller as “The Orc Scribe” in The People of Light and Shadow series. We’ve worked and played together many times over the years, and this session provided another opportunity for us to hang out and experiment.

James’s Star Wars Rococo costume interprets the stormtrooper, as you can see with the sequined mask he’s holding in this bonus shot from the session.

“What’s that flashing?”

For James’s official portrait selection, he chose a dark and shadowy look, in which he wields an elegant weapon for a more civilized age.

James loves image comparison sliders, and he confessed to spending much time swiping back and forth on the one in his “The Orc Scribe” entry, so I’m including another slider here just for him.

We lit this portrait with a beauty dish, short lighting James from the opposite side so that the light touched the far side of his face and body, leaving the camera side dark. We used a light with a red gel to fill in the shadow/lightsaber side. This way, when we add the saber effect, the red light is motivated from the saber side like so:

“I was but the learner…”

James’s official portrait selection follows below. I thought this would be a relatively simple edit, but I’m usually wrong about such things. One of the biggest challenges is the way the light from the saber interacts with the environment around it. The darker the environment, the brighter the saber looks. The brighter and redder the environment, the more challenging it is to make the saber’s outline distinct. In addition, movie lightsabers tend to be thin and tapered and don’t light up—the effects are added later; sabers you can buy need to light up, so they’re thicker and more uniform in shape. Thus, they look larger in pictures. Since their cores are white, that white draws focus in the image, being the brightest part. It took us some time to tone the saber how we wanted. Plus, sRGB screens can’t show the full gamut of red or its transparency. To get a real look, hit James up for a gander at the print.

“So be it, Jedi…”

When next we meet, we’ll take a look at Gaby Martineau’s Star Wars Rococo costume from this super fun session! I’ll leave you with a few more bonus shots of the inestimable James Martineau clowning around at the session.

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Steven Townshend is a fine art/portrait photographer and writer with a background in theatre, written narrative, and award-winning game design. As a young artist, Steven toured the US and Canada performing in Shakespeare companies while journaling their moments on paper and film. In his transition from stage to page, Steven continued to work as a theatre photographer, capturing dramatic scenes while incorporating elements of costume, makeup, and theatrical lighting in his work. Drawn to stories set in other times and places, Steven creates works through which fellow dreamers and time travelers might examine their own humanity or find familiar comfort in the reflections of the people and places of a distant era.

The All Worlds Traveller

Welcome to The All Worlds Traveller, an eclectic collection of thoughts, pictures, and stories from a Distant Era. Illustrated with Distant Era art and photographs, these pages explore the stories and worlds of people beyond the here and now, and the people and creative processes behind such stories. This is a blog about photography and narrative; history and myth; fantasy, science-fiction, and the weird; creation and experience. This is a blog about stories.

Steven Townshend

I’m Steven Townshend—your guide, scribe, editor, and humble narrator. The All Worlds Traveller is my personal publication, an exploratory conversation about stories and how we interact with them, from photographs to narratives to games—a kind of variety show in print. It is a conversation with other artists who explore the past, the future, and the fantastical in their work. Not one world—but all worlds. Where Distant Era shows stories in images, The All Worlds Traveller is all about the words.

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About a Distant Era

Distant Era creates fine art and portrait photographs of people and places from imagined pasts, possible futures, and magical realities. In collaboration with other artists, we evoke these distant eras with theatrical costume and makeup, evocative scenery, and deliberate lighting, and we enhance them with contemporary tools to cast these captured moments in the light of long ago or far away. We long to walk the lion-decorated streets of Babylon, to visit alien worlds aboard an interstellar vessel, and to observe the native dances of elves. Our images are windows to speculative realities and postcards from the past. They are consolation for fellow time travelers who long to look beyond the familiar scenery of the present and gaze upon the people and places of a distant era.

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