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theatre promotion

Ada and the Projection

In which we explore the thrills and challenges of shooting with digital projections with Brookelyn Hébert for The Artistic Home's 2019 production of Ada and the Engine, by Lauren Gunderson.…
May 1, 2023

Richard III Preproduction

In spring 2022, Distant Era photographed preproduction images for Babes With Blades Theatre Company's production of RICHARD III. In this post, we take a quick glance at preproduction photos for theatre and…
February 21, 2022

Theatre: The Black Knight

This week, Chicago theatre company Lifeboat Productions premieres The Black Knight, “a timely tale of love, trust, and resistance set in Nazi-occupied Prague.” In December 2021, Distant Era shot preproduction photos for…
March 22, 2021

The First Gig

In which we look back upon our very first photography gig, courtesy of Babes With Blades Theatre Company.…

The All Worlds Traveller

Welcome to The All Worlds Traveller, an eclectic collection of thoughts, pictures, and stories from a Distant Era. Illustrated with Distant Era art and photographs, these pages explore the stories and worlds of people beyond the here and now, and the people and creative processes behind such stories. This is a blog about photography and narrative; history and myth; fantasy, science-fiction, and the weird; creation and experience. This is a blog about stories.

Steven Townshend

I’m Steven Townshend—your guide, scribe, editor, and humble narrator. The All Worlds Traveller is my personal publication, an exploratory conversation about stories and how we interact with them, from photographs to narratives to games—a kind of variety show in print. It is a conversation with other artists who explore the past, the future, and the fantastical in their work. Not one world—but all worlds. Where Distant Era shows stories in images, The All Worlds Traveller is all about the words.

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About a Distant Era

Distant Era creates fine art and portrait photographs of people and places from imagined pasts, possible futures, and magical realities. In collaboration with other artists, we evoke these distant eras with theatrical costume and makeup, evocative scenery, and deliberate lighting, and we enhance them with contemporary tools to cast these captured moments in the light of long ago or far away. We long to walk the lion-decorated streets of Babylon, to visit alien worlds aboard an interstellar vessel, and to observe the native dances of elves. Our images are windows to speculative realities and postcards from the past. They are consolation for fellow time travelers who long to look beyond the familiar scenery of the present and gaze upon the people and places of a distant era.

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