The Ultimate Portrait and Headshot Session, with Actor Emely Cuestas

May 12, 2025
4 mins read

In April, actor Emely Cuestas hired me and makeup artist Jacque Bischoff for a headshot and portrait session. We all had an absolute blast together and made pictures that made us happy. This is the story of that session.

It all started, as many things seem to have begun, with Idle Muse Theatre Company’s phenomenal production of The Tempest in fall 2024 in which Emely was cast as one of the six actors playing the part of Ariel, along with Distant Era frequent fliers Gary Henderson and Jacque Bischoff, as well as Connar Brown, Mara Kovacevic, and Emily Pfriem. I photographed The Tempest and made new friends, which led to portrait sessions with Gary and Jacque and company manager Kati Lechner, and now Emely Cuestas.

The Consultation

Prior to the session, Emely and I did a consultation where we discussed the kinds of roles she tended to play, as well as the kind she wants to be considered for. Emely described her look as soft, warm, and inviting, but with a dark side she wanted to tap into, mentioning that she would love to play a scream queen in horror movies.

Emely said her tagline is:

A warm, unique psychic who is the essence of Audrey Hepburn and Jenna Ortega.

In the following weeks, Emely put together a Pinterest board featuring colors, poses, and looks that spoke to her.

The Session

For Emely’s session, I drew directly from our consultation and the colors and looks she was most drawn to. Based on Emely’s choices, I bought a new coral/carnation-colored background from the good folks at ProGear Rental in Chicago. I can’t promise I’ll go out and buy a new background for every client, but if you played Ariel in Idle Muse’s production of The Tempest, you have a good chance of me buying a new background for your session. The results have worked out.

We started our session on white, my traditional starting choice. A white background headshot is very versatile and can be used for commercial and corporate work; it makes a good LinkedIn profile; it works equally well as an actor headshot. I find the white background often helps start the session off in a high energy direction as well, and Emely made great use of it in her shots, changing hairstyles and rotating from a brown top to a blue one to a leopard print top.

All of these different styles made for some versatile portraits. Conventional wisdom in headshot photography is to avoid patterns, especially busy ones, but I had a strong feeling about Emely’s leopard print top, and even before the session started, I knew I wanted to see the way it looked on white and on red. We were thrilled with the way it looked in both. On white, I especially loved the way it went with Emely’s leather jacket in a way that screamed scream queen to me.

Makeup

Jacque Biscoff did Emely’s makeup for the session, as she has for several previous Distant Era sessions, including Natania and Nick, Gary Henderson, Drew Beyer, and Jacque’s own session.

Her work speaks for itself. Here are a couple closeup shots and three-quarter shots from the white background portion of our session that show off Jacque’s makeup.

Adding Color

We switched to the background I think of as “vampire red” for those scream queen looks Emely had been looking for. Later, we switched to a dark top. We focused the light, added the leather jacket back in, plus plenty of shadow, and the look changed completely.

From there, we moved on to the carnation background I bought for the session, and we discovered whole new looks that became iconic for the session.

She Contains Multitudes

It was amazing to see the way Emely transformed as we went back through the pictures, changing from person to person. Where she’d gone from young ingenue to professional actor to warm healer to cool mom on the white background, she became a kickass, badass tough on the red background with her leopard print top. When we changed over to the carnation color, switching between a white top and a teal one, hair up and hair down, Emely became completely different people, and the contrasting colors and her incandescent smile popped her right out of every portrait.

Here’s a small gallery showing the breadth of feeling and character Emely brought to her session. There are hundreds more! It was astounding to go back through the session to see the crazy amount of versatility Emely effortlessly conveyed.

My goal with this portrait session (and every actor portrait session) is to show range and to give an actor plenty of options to visually demonstrate their range. That’s what we were working for.

BTS

Emely’s session was one of the most fun sessions ever. We were all having such a great time, we didn’t want it to end.

During the day, Jacque captured some of me in my element, endlessly metering and adjusting lights. Here’s what that looked like.

And here are a couple of my own behind-the-scenes shots. We all laughed a lot and told stories, and we shared a meal together before moving on to the next thing.

The Next Thing

That wasn’t quite the end of the session. We did one more look that day, reopening the Golden Age of the Silver Screen series for a future update! I’ve always tried to offer something extra in a full portraiture session for clients who are my friends, and this was an opportunity to share the love with Emely. Here are a couple behind-the-scenes teasers for an upcoming post!

A million thanks to Emely Cuestas, as well as to Jacque Bischoff, for making this one of the most fun and fulfilling sessions ever.

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Steven Townshend is a fine art/portrait photographer and writer with a background in theatre, written narrative, and award-winning game design. As a young artist, Steven toured the US and Canada performing in Shakespeare companies while journaling their moments on paper and film. In his transition from stage to page, Steven continued to work as a theatre photographer, capturing dramatic scenes while incorporating elements of costume, makeup, and theatrical lighting in his work. Drawn to stories set in other times and places, Steven creates works through which fellow dreamers and time travelers might examine their own humanity or find familiar comfort in the reflections of the people and places of a distant era.

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The All Worlds Traveller

Welcome to The All Worlds Traveller, an eclectic collection of thoughts, pictures, and stories from a Distant Era. Illustrated with Distant Era art and photographs, these pages explore the stories and worlds of people beyond the here and now, and the people and creative processes behind such stories. This is a blog about photography and narrative; history and myth; fantasy, science-fiction, and the weird; creation and experience. This is a blog about stories.

Steven Townshend

I’m Steven Townshend—your guide, scribe, editor, and humble narrator. The All Worlds Traveller is my personal publication, an exploratory conversation about stories and how we interact with them, from photographs to narratives to games—a kind of variety show in print. It is a conversation with other artists who explore the past, the future, and the fantastical in their work. Not one world—but all worlds. Where Distant Era shows stories in images, The All Worlds Traveller is all about the words.

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About a Distant Era

Distant Era creates fine art and portrait photographs of people and places from imagined pasts, possible futures, and magical realities. In collaboration with other artists, we evoke these distant eras with theatrical costume and makeup, evocative scenery, and deliberate lighting, and we enhance them with contemporary tools to cast these captured moments in the light of long ago or far away. We long to walk the lion-decorated streets of Babylon, to visit alien worlds aboard an interstellar vessel, and to observe the native dances of elves. Our images are windows to speculative realities and postcards from the past. They are consolation for fellow time travelers who long to look beyond the familiar scenery of the present and gaze upon the people and places of a distant era.

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