Urban Fantasy: Picture Stories

June 7, 2021
1 min read

Returning to the July evenings of 2019, our third outing was on one of the hottest nights of the summer, with temperatures in the high nineties. The oppressive heat didn’t turn away the four subjects that came out to do the project that night. In order to be sensitive to how they might feel, I dressed in long pants, a long-sleeved button-up shirt, and a sports jacket, along with a heavy camera backpack, tripod, and stand. I wanted to be the first to feel the intensity of the heat and humidity and wrap the shoot if things became unbearable.

Cat Dughi and I had been friends for years, and I was honored and delighted to have her out for this first Distant Era series. Her concept was fairy who had gotten lost in the midnight city and was half drunk on artificial sugar.

Narrative has been a consistent goal of these series, though we have often stumbled upon it rather than planned it. In this first series, we found a tree behind glass and wanted to show the fairy reaching out to it. When we caught the fairy’s reflection in the glass, it conjured the idea of a lost self, a trapped green nature spirit. Later, we placed an open book in the branches of greenery we discovered by the river. Last of all, we visited a little rooftop garden high above the city streets. The tone of the story that came out of these images suggested yearning (I felt). Cat and I had discussed the fairy looking for her lost name, and there was another idea that came out in editing about the fairy being the moon’s daughter.

We didn’t shoot quite as much that night as planned: halfway to Navy Pier, where we had thought to shoot another scene, I was a river of sweat beneath the sports jacket, shirt, and long pants. After our final rooftop scene, we called it a night. I made mistakes on the second two nights shooting the Urban Fantasy series that I hadn’t made on the first outing with the urban sorceress character. Notably, I tried to get by without a tripod, and this meant I couldn’t get as much out of my camera as I had on that first night. But I like the fairy character that Cat created, and in spite of the heat it was fun to discover these images on our urban safari. In future series like Chicago: November 2019 and The Contract, the lessons learned from Urban Fantasy would carry over and inform the shooting and narrative style. Thanks a million to Cat for coming out to play on the hottest of nights in 2019 and being part of this process.

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Steven Townshend is a fine art/portrait photographer and writer with a background in theatre, written narrative, and award-winning game design. As a young artist, Steven toured the US and Canada performing in Shakespeare companies while journaling their moments on paper and film. In his transition from stage to page, Steven continued to work as a theatre photographer, capturing dramatic scenes while incorporating elements of costume, makeup, and theatrical lighting in his work. Drawn to stories set in other times and places, Steven creates works through which fellow dreamers and time travelers might examine their own humanity or find familiar comfort in the reflections of the people and places of a distant era.

The All Worlds Traveller

Welcome to The All Worlds Traveller, an eclectic collection of thoughts, pictures, and stories from a Distant Era. Illustrated with Distant Era art and photographs, these pages explore the stories and worlds of people beyond the here and now, and the people and creative processes behind such stories. This is a blog about photography and narrative; history and myth; fantasy, science-fiction, and the weird; creation and experience. This is a blog about stories.

Steven Townshend

I’m Steven Townshend—your guide, scribe, editor, and humble narrator. The All Worlds Traveller is my personal publication, an exploratory conversation about stories and how we interact with them, from photographs to narratives to games—a kind of variety show in print. It is a conversation with other artists who explore the past, the future, and the fantastical in their work. Not one world—but all worlds. Where Distant Era shows stories in images, The All Worlds Traveller is all about the words.

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About a Distant Era

Distant Era creates fine art and portrait photographs of people and places from imagined pasts, possible futures, and magical realities. In collaboration with other artists, we evoke these distant eras with theatrical costume and makeup, evocative scenery, and deliberate lighting, and we enhance them with contemporary tools to cast these captured moments in the light of long ago or far away. We long to walk the lion-decorated streets of Babylon, to visit alien worlds aboard an interstellar vessel, and to observe the native dances of elves. Our images are windows to speculative realities and postcards from the past. They are consolation for fellow time travelers who long to look beyond the familiar scenery of the present and gaze upon the people and places of a distant era.

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